A term you'll meet in literary theory.
Trope is one of the few literary terms with two genuinely different modern senses. The older sense, going back to classical rhetoric, is technical and narrow: a trope is a figure of speech in which a word is used in a sense other than its literal one. The newer sense, common in film and television criticism, is broad and colloquial: a trope is a recurring narrative device — the chosen one, the noble savage, the dead girlfriend who motivates the hero. Both senses are alive today, and the confusion between them is constant.
In classical rhetoric, the tropes were a specific subset of rhetorical figures — the figures of thought, as opposed to the figures of arrangement (called "schemes"). The classical tropes include:
In this sense, "trope" is the umbrella term, and individual figures like metaphor are sub-types.
In contemporary criticism (and especially on the internet), "trope" usually means a recurring narrative device, character type, or plot beat. The chosen one. The wise mentor. The locked room. The unreliable narrator. The villain who explains his plan. The romantic interest fridged to motivate the male protagonist.
This sense became standard partly through cultural-studies analysis of mass media, and partly through the fan-driven encyclopedic project TV Tropes, which catalogued thousands of these conventions. The site changed how popular audiences talk about storytelling.
The two senses share a deep logic: both name a repeatable pattern in how meaning gets made. A metaphor is a repeatable pattern at the sentence level; a "chosen one" trope is a repeatable pattern at the plot level. Calling them by the same word emphasizes the continuity, even at the cost of ambiguity in any given sentence.
If you meet "trope" in a critical essay from before 1980 or in a rhetorical context, it almost certainly means the classical sense — a figure of speech, probably metaphor or one of its cousins. If you meet it in a film review, a tweet, or a TV-Tropes entry, it means the narrative-convention sense. Both are correct; the only mistake is to assume the wrong one.
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