A term you'll meet in prose fiction genre.
A novella is a work of prose fiction that sits between the short story and the novel — long enough to develop a real situation, short enough to be read in a sitting or two. Length is the loose definition; what matters more is the kind of story the form is built for.
There's no strict rule, but the common range is roughly 17,000 to 40,000 words — above the short story (under ~7,500) and below the novel (above ~50,000). Many literary prizes set their own boundaries. The numbers matter less than the shape: a novella is too big for a single effect and too small for a sprawling cast.
The novella excels at a single, intensely developed situation or transformation. With no room for subplots, it stays focused — one character, one crisis, one tightening line of events. That concentration gives the best novellas a peculiar force: the momentum of a short story sustained at the depth of a novel.
Some of literature's most enduring works are novellas: Kafka's The Metamorphosis, Conrad's Heart of Darkness, Melville's Bartleby, the Scrivener, Steinbeck's Of Mice and Men. Each takes one premise and pursues it without distraction to an inevitable end.
Read a novella for its single line of pressure. Because it can't wander, every scene is load-bearing — ask how each one tightens the central situation. The form rewards the same close attention as a poem, scaled up just enough to hold a story.
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