A term you'll meet in poetry and sound.
Slant rhyme — also called half rhyme, near rhyme, or partial rhyme — is rhyme that's close but not exact. The sounds gesture toward a match without quite landing it: "eyes" and "is," "shape" and "keep," "soul" and "all." The ear hears a relationship and a slight dissonance at once.
Slant rhyme usually pairs words that share some sounds but not the full rhyme. Often the consonants agree while the vowels don't (consonance: "blade"/"bled"), or the vowels agree while the consonants don't (assonance: "lake"/"fate"). The result is a muted, glancing chime rather than a full bell.
Perfect rhyme can feel too neat — comic, sing-song, or falsely resolved. Slant rhyme keeps the music while withholding the satisfying click of closure, which suits poems about doubt, grief, or unease. It can make a line feel honest and unfinished where a full rhyme would feel pat.
Emily Dickinson built much of her unmistakable sound from slant rhyme — "Soul"/"all," "Room"/"Storm" — using the near-miss to unsettle her hymn-like stanzas. In a poem that otherwise rhymes cleanly, a sudden slant rhyme often falls exactly where the meaning turns difficult.
When a rhyme almost works, don't treat it as a flaw — treat it as a choice. Ask what the imperfect chime does to the feeling of the line, and notice whether the poet saves the slant rhymes for the moments that resist easy resolution.
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