A term you'll meet in prosody and meter.
Scansion is the practice of analysing a line of verse to reveal its meter — marking which syllables are stressed and which are unstressed, then grouping them into feet. To "scan" a poem is to map its rhythm on the page.
Work in three steps. First, read the line aloud naturally and mark the syllables that get emphasis (the stresses). Second, mark the unstressed syllables between them. Third, divide the line into feet — the repeating stress-patterns — and count them. The pattern and count give you the meter (say, iambic pentameter: five da-DUM units).
Scansion follows the ear, not spelling. Stress is about how a word is actually said — "belong," not "belong." Reading aloud is essential; the rhythm lives in sound, and trying to scan silently from the spelling is the commonest beginner's mistake.
Few poems march in perfect, unbroken meter — that would be deadening. The point of scanning is to find where the poet departs from the expected beat: a reversed foot, an extra syllable, a heavy spondee. Those departures usually fall on the most important words, and spotting them is where scansion turns into interpretation.
Scansion makes audible what you might only half-feel: how a poem speeds, slows, stumbles, or pounds. It connects rhythm to meaning — showing that a line's music is doing part of the work its words are doing, and sometimes saying something the words alone don't.
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