A term you'll meet in poetic form.
A prose poem is a poem written in prose — it runs in sentences and paragraphs, with no line breaks, yet it works on the reader the way poetry does: through compression, image, rhythm, and a heightened attention to language. It deliberately blurs the line between the two forms.
The defining feature of most poetry — the line, the break, the white space at the right margin — is exactly what the prose poem gives up. What stays is everything else: dense figurative language, musical sound, sudden leaps of association, and a sense that every word is weighed. It looks like a paragraph and behaves like a poem.
The form was pioneered in nineteenth-century France by Charles Baudelaire, whose Paris Spleen sought "the miracle of a poetic prose" supple enough for modern city life. Arthur Rimbaud's Illuminations pushed it further. It became a major mode in the twentieth century and remains widely written today.
Dropping the line break changes the music and the expectations. A prose poem can feel more intimate, more like overheard thought, or more dreamlike — the absence of lineation removes the formal "frame" and lets the strangeness of the language sneak up on you. The tension between humble prose shape and charged poetic content is the whole effect.
Read it slowly, as a poem, not quickly, as prose. Watch for the devices that mark it — image, repetition, metaphor, sound — and notice how a passage that could pass for a paragraph keeps tilting toward the uncanny or the lyrical. The plain shape is a disguise.
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