A term you'll meet in literary theory (Said, Spivak).
Postcolonialism is a way of reading literature and culture that takes the history of European empire as central. It asks how colonialism shaped — and still shapes — who gets to tell stories, whose experience counts as universal, and how the colonised are represented by others.
The founding text is Edward Said's Orientalism (1978), which argued that Western writing about "the East" wasn't neutral description but a system of images that cast the Orient as exotic, irrational, and inferior — and thereby justified domination. Said showed that representation is never innocent: to describe a people is also to claim power over how they're seen.
Later critics sharpened the question of voice. Gayatri Spivak's famous essay "Can the Subaltern Speak?" asks whether the most marginalised can ever be heard on their own terms, or only through the frameworks of the powerful. Postcolonial reading is alert to silences — to whose perspective a text assumes and whose it erases.
Postcolonialism also celebrates how formerly colonised writers reclaim the story. Chinua Achebe's Things Fall Apart answers the colonial novel from the inside; Jean Rhys's Wide Sargasso Sea rewrites Jane Eyre from the silenced "madwoman's" point of view. This "writing back" turns the canon's own materials against its assumptions.
Reading a text through a postcolonial lens, ask: who holds the power to represent, and who is represented? What does the work assume is normal or central? Whose land, labour, and voice make the comfortable world of the story possible — and go unmentioned?
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