A term you'll meet in narrative perspective.
Point of view (POV) is the perspective from which a story is told — the vantage point that controls what the reader can know, see, and feel. It's one of the most consequential choices a writer makes, because it decides the boundaries of the entire narrative.
In first-person narration, a character tells the story using "I." We get their voice, their intimacy, and their bias — but we're trapped inside their knowledge. First person is powerful for closeness and is the natural home of the unreliable narrator, since we only ever have one person's account.
Second-person narration addresses the reader as "you," casting you as a character. Rare and unsettling, it creates immediacy and implication — used in experimental fiction and in works like Italo Calvino's If on a winter's night a traveller.
In third-person narration ("he," "she," "they"), the key distinction is reach. A limited third person stays close to one character's perceptions; an omniscient narrator knows everything — every character's thoughts, the past and future, the whole world. Omniscience offers scope; limitation offers intensity.
Identify the POV early, then ask what it lets you know and, crucially, what it keeps from you. Every perspective is also a set of blind spots — and a skilled writer chooses the vantage point that makes those blind spots matter.
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