A term you'll meet in poetic form.
A couplet is a pair of consecutive lines, usually rhyming and usually of the same length. It is the smallest stanza in English poetry and one of the most useful: two lines are just enough to set up an idea and clinch it.
Because a couplet rhymes and closes quickly, it feels complete — a tiny unit of sense. Poets exploit this for wit, summary, and finality. When a rhymed couplet ends on a strong stop (a "closed couplet"), it lands like a verdict.
The heroic couplet — two rhyming lines of iambic pentameter — was the dominant form of English poetry in the seventeenth and eighteenth centuries. Dryden and especially Alexander Pope made it a precision instrument for satire and argument, packing balanced, epigrammatic sense into each pair: "True wit is Nature to advantage dressed, / What oft was thought, but ne'er so well expressed."
Shakespeare ends each of his sonnets with a couplet, using the sudden snap of the rhyme to summarise, reverse, or undercut the twelve lines before it. The shift from alternating rhyme into a couplet is itself a signal that the poem is about to conclude.
When a poem drops into a rhymed couplet — especially after a passage that didn't rhyme that way — expect emphasis: a point being driven home, a scene being closed, a judgment being passed. The form is built to make you feel the click of something completed.
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