A term you'll meet in narrative technique.
A cliffhanger is an abrupt ending to a scene, chapter, or episode at a moment of high tension or danger, with the outcome left unresolved. It deliberately suspends the story at its most uncertain point to compel the audience to keep going — to read the next chapter or return for the next instalment.
The term comes literally from serialised stories and early film serials in which an instalment would end with the hero hanging from a cliff — survival in doubt — forcing audiences to come back for the next episode to find out what happened. The device is as old as serial storytelling itself.
A cliffhanger exploits our need for resolution. By cutting away at the peak of tension — a question raised, a threat unleashed, a shocking revelation — it leaves a gap the mind can't comfortably leave open. That discomfort is precisely what drives us onward; the unresolved tension is the hook.
Cliffhangers are essential to any serialised form — Victorian novels published in instalments (Dickens was a master), comic books, soap operas, and modern streaming series that end seasons mid-crisis. Within a single novel, chapter-end cliffhangers keep a reader from putting the book down.
Overused, cliffhangers feel cheap or manipulative, and an ending that's all cliffhanger with no payoff frustrates more than it satisfies. The best ones raise a genuine question the story will honestly answer — tension with a promise, not just a tease.
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